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This was one of a few rolls of 120 and 35mm Ektar I swapped for some 120 Fuji Acros 100 with the incredibly generous Daniel Cuthbert. pushing CineStill 800T.

It’s important to note that despite what the packaging says, Kodak Pro Image 100 is not a professional film emulsion. The results are some amazing colors plus some fun contrast:I consider Ektar to be my “going on an adventure” film because of the bright colors and playful style that Ektar lends to my photos.I’m excited to try out some Ektar this summer. On faces? Kodak Ektar 100 Overview: Ektar 100 is a bold and colorful film, perfect for bright sun.

These are usually local expeditions near my home, but I occasionally make a trip to a nearby city or countryside to capture some architecture or still life.Skin tones can be tricky with Ektar and under these conditions the film must be evenly metered to get the tones right or else you will get reddish look on the skin.Ektar often struggle indoors, so, in these winter months, if I have Ektar loaded in my camera, I don’t get to shoot indoors much.Thank you! With too much overexposure, you’ll see a red color shift in Caucasian skin tones. pushing Fujifilm Pro 400H. Pushing a color film increases grain, saturation and contrast at the expense of latitude. Here – they just jump off the screen with no adjustment what so ever.Get Lost. “Yup.

Who knows… I may have just stumbled bass-ackwards into a new look.

Pushing Ektar also amplified the natural tendencies of this already vivid, contrasty film. Pushing an already saturated film super saturates it,” said my buddy Eric, well versed in matters of darkroom chemistry.

Even though the original prints were unusably awful there was plenty of information there. This image shows how well Ektar’s grain held up despite the 2-stop push. Normally when scanning Ektar there’s a certain degree of color adjustment required to get the images looking right to my eye.

pushing T-Max 100. pushing Kodak Ektar 100. pushing Ilford HP5. Here’s the story:These images are scanned in using the Nikon LS-5000 and VueScan. Given that Ektar is already a finely-grained film, the increase in grain is nominal, if noticeable at all. “Yup. What is Pro Image 100? The timing couldn’t have been better, as I’d recently been discussing Kodak color films and had a hankering to go out and snap off a few frames. To see Kodak Ektar exposure tested along side 10 other film stocks, follow this link.

Thanks! I think that can make a big difference with Ektar, in my experience.

What lab did you use for processing & scanning? It is best rated at box speed and metered for the mid tones.

Yes! My first try with Ektar was over the summer on a trip to the beach:The absolute best results with Ektar typically come from setting the ISO/ASA at 100 (box speed) and developing normally.At first I was a bit hesitant.

Turns out about half of the standard setting did the trick and all that lovely detail began to reemerge.These images are directly out of VueScan with no adjustment to color or contrast at all. What are you putting the spot meter on? Visit Blue Hour Journal.Can it be done? A little VueScan magic did the trick. I was used to waiting for overcast days and nice spots of open shade.Really nice photos & makes me want to shoot Ektar more!

As a digital shooter, I feared using a film in bright sunlight. Just Married, Lacinated-Cactus Dahlia.

I sat down and started scanning and was – once again – blown away by what film does. This explains the flooding of the red channel in the initial prints.The other day I was on an assignment and pulled a rookie move. Ektar handles pushing well for some extra bold colors, especially if you are not contending with skin tones. I’d also made a few digital frames as back-ups and began considering tweaking them into what I wanted for the final images.As it turned out, those were prophetic words… with a few caveats.Sunrise at Great Sand Dunes National Park, Colorado (2009)Nikon F6 shown with: Nikon R1C1 Macro Close-Up Flash Kit (Nikon SU-800 wireless speedlight commander, Nikon SX-1 attachment ring, Nikon SY-1-62 adaptor ring, NIKON SB-R200 wireless remote speedlight, NIKON SW-11 extreme close-up adaptor) Nikon DR-5 Right-Angle Viewer; Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens.As it turned out, shooting Ektar at ISO400 – while not something I’d have thought to do intentionally – produced great results.
pushing Ilford FP4 Plus. My style is fun, a little bit quirky, and colorful, so Ektar is perfect for me.My primary use for this film is documenting weekend outings.

Kodak Pro Image 100 debuted in 1997, making it older than the current iterations of Kodak’s Portra and Ektar lines. I also have an F100 and I’d love to get more specifics on how you use the spot meter to get your exposure. The super fine grain is also amazing and perhaps my favourite feature of Ektar, both 35mm and 120 versions. Kodak Ektar 100 rated at 200 pushed 1 stop *Note: I would be remiss to not acknowledge what setting a camera’s ISO does and doesn’t do.

In the fall of 2018 I headed to Arizona for the second time and intended to see the Grand Canyon for the first time (btw,… It allowed working with higher shutter speeds to combat a slight breeze shifting the flowers ever so slightly.