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Roger Ebert didn't think so. Doch gerade in diesem grotesken Kontrast verbirgt sich die Essenz von "Blue Velvet", und möglicherweise von Lynchs filmischem Gesamtwerk.Die berüchtigtste Szene ist eine schonungslos sexualisierte Hommage an das Hitchcock-Kino des heimlichen Beobachtens (wie etwa in "Das Fenster zum Hof"): Aus dem Wandschrank beobachtet Jeffrey, wie Dorothy für Frank die Beine spreizen muss. Bei den Aufnahmen, so Rossellini, habe David Lynch sich die ganze Zeit über gekringelt vor Lachen. In der Öffentlichkeit sorgte das Werk für Kontroversen. Ebert & Roeper and the Movies 2000; Donation (PayPal) Contact Us; User Registration; Blue Velvet #Disney1987 . Dieser Deutung zufolge taumelt Jeffrey durchs Unterholz seiner Seelenlandschaft mit Dorothy als dunkelhaarigem Sehnsuchtsvamp und Frank als dämonischem Alter Ego.
I like to feel like I'm painting with my teeth. The basic elements of the story creates the connection with the audience. It makes you react to it. 2 years ago.
It's expressive.
But what makes me want to go back and watch the film after my initial reaction to it wears off are the details that I didn't catch initially. Was nudity necessary in Blue Velvet? Roger Ebert strongly believes that the disturbing scenes in this film should be treated seriously and belongs in a film that “deserves it”. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.Everyday town life is depicted with a deadpan irony; characters use lines with corny double meanings and solemnly recite platitudes.What's worse?
In 1975, he won the Pulitzer Prize for distinguished criticism. I like to feel that you could bite my paintings. Bis heute gilt der Film gleichwohl als eigenwilliges Meisterwerk - oder gar als Geburtsstunde des populären postmodernen Kinos.Isabella Rossellini verkörperte in "Blue Velvet" Dorothy Vallens: Die laszive Nachtclubsängerin zieht den naiven Studenten Jeffrey Beaumont (Kyle MacLachlan) hinein in einen Strudel voller Gewalt und sexueller Perversionen. Ebert’s first important review was a few months into his stint at the Sun-Times, for the groundbreaking film Bonnie and Clyde, directed by Arthur Penn.
Therefore, it means more to him than it ever can to us.Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. "He told me, for example, that the scene of Rossellini naked in the night was inspired by his childhood: "When I was little, my brother and I were outdoors late one night, and we saw a naked woman come walking down the street toward us in a dazed state, crying. ; Spokane, Wash.; Boise, Idaho -- and then moved east to Alexandria, Va. Weltweit regten sich Proteste, weil der Film sexuelle Gewalt ästhetisiere und frauenfeindlich sei.In "Blue Velvet" tritt Jeffrey erst aus seiner Rolle des versteckten Voyeurs heraus, als Frank verschwunden ist. Zudem trieb die Deutungsvielfalt Kinoexegeten zur Verzweiflung. Posted by. And yet those very scenes of stark sexual despair are the tipoff to what's wrong with the movie. ", so die Schlussfrage des Kritikers, "jemanden zu verprügeln oder tatenlos dabei zuzusehen und sich darüber lustig zu machen? Then a man collapses while watering the lawn, and a dog comes to drink from the hose that is still held in his unconscious grip. The more you look at them and the more you see, the more enjoyable they are.
Not to eat them, to hurt them. I feel that people can fall into these things, like steps," Lynch said.