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The sound effects, like the bell and the car, were an offbeat idea – Brendan and I were looking through 80s movies for a car-chase scene and sampling sounds.‘I wanted it to sound like Metallica and AC/DC from the waist up and Public Enemy from the waist down’Brendan and I were two weirdos who found each other. Photo by Joey SlaterThe best in culture from a cultural icon. It’s this weaponised piece of pop culture. “We never found out where they went.”The timing of the song’s release didn’t help. When the band got a major label deal in 1999, Sony wanted to release the group’s demos as the album, but Brown refused, spending $50,000 of Wheatus’ advance on gear to re-record “Dirtbag,” which he’d been working on for a few years.“I think my ‘listens’ sucked,” he says after yet another attempt at re-recording the chorus to “Dirtbag.” “We were in the sweet spot last night, which is weird, which is why I think it’s the power.”Brown is convinced that Sony either never transferred the tapes — rendering them virtually unplayable — or simply lost them. It's hard to believe Wheatus are celebrating the 20th anniversary of their debut album and still-ubiquitous single "Teenage Dirtbag.” Yes, that’s right - Dirtbag is no longer a teenager. After attending college in Pennsylvania, a twentysomething Brown ended up in New York, playing in a local band that ended up scoring a gig opening for Joan Jett.Still, he finds it strange that a song written about his own teenage despair has become part of a collective generational consciousness.“We spent nine days transposing and moving harmonies around, moving [the sound] to different harmonies so that it sounded like the original, because we don’t know what the original [sound] was. The thing I wanted it to sound like was a very fuzzy, yet very punchy wall of sound — J Mascis, Bob Mould, Sugar stuff — but also AC/DC–type clarity on the punch of the drums. ‘Teenage Dirtbag’ is arguably the most well known song by Wheatus. Or they’ll give me 11 cents, joking that it’s my cut.We went back to the drawing board many times. It was the low one that was a little off.”Wheatus and Sony maintained a strained relationship after the debut, and by 2005, following one more LP, the band was no longer on the label. Watch Queue Queue “It isn’t like a fun pop-song conversation.”“The part I didn’t like was the ‘me,’ and I think it was the ‘me’ on the bottom,” he says after his seventh try, talking to current Wheatus bandmates Joey Slater and Gabrielle Sterbenz, who is also his girlfriend. I just watched out the window as the rest of the kids toilet-papered and egged our house. “It took us nine days until two o’clock in the morning. Feeling whole, one song at a time, is really nice.”He formed Wheatus in 1995, shortly before writing “Teenage Dirtbag.” He recruited his brother, Peter, on drums, as well as bassist Rich Liegey and multi-instrumentalist Philip Jimenez, who returned to mix the band’s 20th-anniversary re-recording. The song was the debut single from Wheatus, released in July 2000. His quest has sent him scouring the internet for gear that most closely resembles what the band originally used to record the album. “It’s, like, forensic.”Brown says that Sony tried its best to convince Brown to kick out Jimenez in order to shape the band in the mold of contemporary power trios like Blink-182 and Green Day, another suggestion that Brown turned down.Before he ever wrote a word of “Teenage Dirtbag,” Brown had the title. Sony told Brown he wouldn’t be able to sing the line about the boyfriend “who brings a gun to school,” and asked the band to change it. The short answer: He no longer possesses the master recordings to Wheatus. “We never looked the part, either. … The sound happens again in the third verse, and they’re actually different harmonies. The song is fictional, but has a bit of scenery from my childhood.We didn’t have a record deal when we made it, and we recorded everything at Brendan’s parents’ house. So, I guess what I’m trying to say is that some part of this song represents incredibly bleak solitude for me, and conversely, a lot of people know about it. We worked hard at getting an acoustic feel so that when the distortion kicked in, it could be punk-rock. The album was recorded on a long-defunct transitional format called ADAT.