They have great color, fine grain, and the only significant difference we say is that Provia 100f has slightly better exposure latitude. But Ektachrome isn’t the only professional grade E-6 slide stock around—there are many others! Photographers, however, decried this development and, in response to it, Fujifilm's R&D teams developed substitute raw materials and found new manufacturing technologies that have enabled the restart of production of this famous emulsion. Kodak Ektachrome 100 and FujiFilm Provia 100f produce similar results and both very versatile slide film stocks. At the same time, I personally find that the yellow cast of the E100VS is quite objectionable and gives an overall impression of the lack of "snap"; compared to it, RVP50 produces what I would call a more clear–cut statement. Compared to RVP50, E100VS renders it with a yellowish, washed out staleness.1 second; not recommended for exposures of over 64 secondsRVP50 appears more saturated in the blue to green spectrum and, moreover, tends to bring these colours out and emphasise them over all other colours. There are different Ektachrome films around with different characteristics and … Fujichrome Velvia (RVP) colour slide film was introduced in 1990. However, a virtually infinite combination of possible subjects, colours and lighting condition that is further complicated by personal preferences makes it impossible to give an advice on when to use which film.
At the same time, some (more moderate) photographers suggest that "Velvia is for the spring and the Kodak VS is for the autumn". A roll of RVP50 and a roll of E100VS were loaded in two film backs and every scene was photographed with each of the films within seconds of each other (as fast as I could change backs and adjust shutter speed).
They are good for portraiture, landscapes, and all-around daytime shooting.The recent re-release of Kodak Ektachrome 100 has sparked a growing buzz around slide film. It's process and emulsions have continued on up to present day and show no signs of going away. I’m hoping Kodak brings the Ektachrome back into the medium and large formats, so when I’m using my Kodak Duoflex III I can enjoy excellent color rendition. With that in mind, we thought it would be a great time to compare some of the great E-6 options available today.That is pretty much my assessment as well. Only extensive experience with both emulsions can serve as a sound foundation for choosing between the two in different circumstances.It is really interesting to see how the two emulsions behave when green and brown colours are intertwined—they interpret such scenes entirely differently! […] 2018, it re-released Ektachrome 100, after the last of its colour slide film had been discontinued in 2011. This being said, I conducted the tests as scientifically as I possibly could to make sure that what I see is a reliable basis to draw conclusions.Although I only shot two films and have twelve pairs of pictures to compare, the scenes are quite representative of the types of subjects and lighting that I tend to photograph. Along similar lines, I was only interested to see the differences in rendering signatures of the two emulsions. How did it look in reality? Both are great films but I found the color on the Ektachrome to be subjectively slightly more pleasing. We have been dip & dunk processing E-6 slide film in-house for over 25 years.My favorite slide films when I was younger and pretty much only shot slide film, was Agfa and then Ektachrome. Kodak's Ektachrome slide film came into existence about a decade after Kodachrome. meadows, forests, etc.Velvia 50 holds highlight detail noticeably better.E100VS is faster but slow films come in handy when you need to obtain slower shutter speeds in daylight.Storage period with almost no change below at 10C and 30-50% humidity: more than 20 yearsAlthough this is not always the case, E100VS tends to show a yellowish cast and RVP50 tends to exhibit a greenish cast. The film almost immediately became the first choice for landscape and nature photography and remained the king of the hill from then on and well into this century.The original RVP was discontinued in early 2005 because vital raw materials used in the production of the emulsion became unavailable. Ambient light was stable.Technically speaking, none of the emulsions is better on an absolute basis. RVP50 thinks that "the beer glass is half full", it is spring time, and brings out all shades of green; E100VS, on the other hand, believes that "the beer glass is half empty", the season is autumn, and tries its best to bring out any and all shades of red, orange and brown that it can find.Velvia is excellent; why such an important characteristic is not specified by Kodak?I seriously dislike what E100VS does to the blue sky. Considering that that Ektachrome costs significantly less, I am switching to this film.