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[1] This type of art ask for an immediate response from the audience, as the images are moving, evolving- a living screen. The cinema of attractions employed delights like colors, costumes, commentary, sometimes even grotesque features, like freaks or indigenous people. It uses live performers on stage to express different plays. From the examples above, we can see Tom Gunning’s idea of cinema of attraction come to life, and the way in which it dominated the first decade of early cinema, through the first silent movies and their exhibitionist characteristics. ----------------------- [1] Tom Gunning, ‘An Aesthetic of Astonishment: Early Film and the (ln)Credulous Spectator’ (pg. Their ability to show something without a narrative structure has fulfilled the audience’s visual curiosity of thrills, danger nd magic, while drawing them in the film, creating strong bodily sensation. Twenty years ago, Tom Gunning and André Gaudreault introduced the concept of attraction to define the quin-tessence of the earliest films made between 1895 and 1906. Cinema is based on quality and its ability to demonstrate and show something. Tom Gunning -Attractions: How They Came into the world . As " cinema of attractions " this concept has become widely adopted, even
The term ‘attract’ is defined by the english dictionary as ‘to draw by appealing to the emotions or senses, by stimulating interest, or by exciting admiration; allure; invite’.In this essay I am going to talk about the cinema of attractions and its main characteristics with examples from several early films, with an emphasis on ‘Un homme de tetes’ (Georges Melies, 1898) and L'arrivee d'un train a la Ciotat (Auguste and Louis Lumiere,1895). The tricks found in his films represent the typical burst of attraction, when there is a transformation of an object into something else: ‘In its double nature, its transformation of still image into moving illusions, it expresses an attitude in which astonishment and knowledge perform a vertiginous dance, and pleasure derives from the energy released by the play between the shock caused by this illusion of danger and delight in its pure illusion’. ” Quoting Gunning, the term “ cinema of attraction ” can be defined as: "a cinema that displays its visibility, willing to rupture a self-enclosed fictional world for a chance to solicit the attention of the spectator." One aspect that one can definitely notice in Melies’ film is the presence of a showman/monstrator whose role is to present the film to the audience, a mediator between the crowd and the experience itself.6000 Fairview Road, SouthPark Towers, Suite 1200, Charlotte, NC 28210, USAThe term of ‘cinema of attractions’ was introduced into the study of film by Tom Gunning and Andre Gaudreault in 1985, describing a filmmaking technique used for early films, until 1906, in which the main interest is in the spectacle and the audience’s visual experience rather than in the narrative side. au/scan/journal/display. Claudia Mangeac 1623 words Bibliography: 1. Cinema of Attractions 1670 Words | 7 Pages. (Exhibitionist cinema) “the cinema of attractions construct with its spectator: the recurring look at the camera by actors. In the simplest terms, it was a cinema based on entertainment, shock and sensations, the ability of showing something. The first one uses editing and multi shots, while the Lumiere brothers show nature caught on camera, in a single shot.